Het weer doet mijn rhododendrons geen goed. The weather does not work well for my rhododendrons. Exif 105mm f3 1/640 iso1000

Spring is in the house. (50mm f11 1/125 iso100. Single flash on a stand triggered by CLS. In-camera flash setting on TTL.)

Jolanda went by the local florist. (50mm f11 1/125 iso100. Single flash on a stand triggered by CLS. In-camera flash setting on TTL.)

Small birthday bouquet for my wife Jolanda and some (very) early spring bulbs in a fancy coating. exif 50mm 1/125 f8 iso100. For strobist a flash on a stand on the right behind the bulbs with a diy snoot of a Pringles can and right of the camera a flash on a stand shooting through a brolly. Triggered by CLS. In-camera settings on TTL.

Herfst bloemen vormen een bouquet. Sneeuwbes; Sierkool; Amaryllis; Hortensia en Chrysant. Van Margriet bloembinders Zeist. Autumn flowers form a bouquet. Snowberry; Ornamental Cabbage; Amaryllis; Hydrangea and Chrysanthemum. 24mm f5.6 1/160 iso100. A flash shooting through a brolly on both sides triggered by CLS. In-camera flash settings on TTL left-0.3 right +0.3

Clitocybe Nuda? Along the Renkumse stream.

Langs de Renkumse beek. Welke zijn dit? Along the Renkumse stream. Which are these? 70-200mm f4 1/4 iso100.

Love the simple things in life. They tend to get overlooked. Exif mmf8 1/125 iso 100. For strobist: left of the camera a flash shooting through a brolly and further down left a flash on a tripod with a diy snoot made by a Pringles tube shooting on the background. Trigered by CLS. In-camera settings on TTl.(+0.3 and -3.0)

De buren brachten bloemen voor onze inzet voor hun hondjes The neighbors brought flowers for our commitment to their dogs. Exif 50mm f5,6 1/100 iso100. For strobist: One speedlight on a stand shooting through a brolly on the left of the camera on TTL -0.3 and one to the right of the camera on a lightstand shooting through a brolly on TTL+0.7. Triggered by CLS.

“Sadness is but a wall between two gardens.” ― Kahlil Gibran, Sand and Foam Exif 105mm f11 1/125 iso100. For strobist: to the right of the camera a speedlight on a stand shooting through a brolly triggered by CLS. In-camera flash setting on TTL. On the right a speedlight on a stand shooting through a snoot for the gradient behind the flowers. D.i.y. of a famous chips can.

Summer Whites and Blue Jeans. Exif 105 mm f5,6 1/60 iso100. For strobist: Right of the camera a speedlight on a tripod shooting through a brolly on TTL +0.3 and to the left a speedlight on TTL. Triggered by CLS.

My wife uses the Garden Angelica in a vase. Exif 105mm f11 1/125 iso 100. Left of the camera a speedlight on lampstand shooting through a brolly on M1/4 and to the right a speedlight on a lampstand shooting through a brolly on M 1/6.4. triggered by CLS.

For her, the lilies hang their heads and die. Alexander Pope. Exif 50mm f5,6 1/125 iso100. For strobist: Left of the camera a speedlight on a flash stand, shooting through a brolly. To the right a white foam core panel as a reflector. In-camera flash settings on TTL.

Art is the unceasing effort to compete with the beauty of flowers - and never succeeding. exif; 50mm 1/80 iso100. for strobist. A strobe with a softbox and a grid to the left of the camera triggered with remote and to the right a speedlight shooting through a brolly on remote triggered by the su-4 system.

there is a very short distance between high art and trash, and trash that contains an element of craziness is by this very quality nearer to art.” ― Douglas Sirk 50mm f2.8 1/1000 iso 100. for strobist: camera and flash on high-speed sync. To the right of the camera a speedlight on a lampstand shooting through a brolly. triggered by CLS. In-camera flash setting on TTL+0.7

A dash of color in the spring garden.

Corps de ballet des fleurs. exif 50mm 1/60 f5,6 iso100. For strobist: to the right of the camera on a flash stand and shooting through a brolly a flash and to the left of the camera on a stand shooting through the diffuser of a 5-1 reflector. Both flashes are triggered by CLS. In-camera flash settings for both are TTL.

The tulip's petals shine in dew, All beautiful, but none alike. James Montgomery, On Planting a Tulip-Root. exif; 105mm f10 1/100 iso100. For strobist: to the left of the camera is a softbox on f5,6 triggered with a remote used here as fill and to the right of the camera a flash on a tripod triggered as a slave with su-4 but serving as key light on 1/8 power shooting through a brolly giving f10.

These tulips are what we call in Holland; French Tulips. Exif 50mm f8 1/100 iso100. For strobist: a softbox left of the camera triggered by remote and a speedlight on the background as a slave on su-4.

Flowers were taken from the vase. This way it's also a small bouquet., Exif per flower 105mm f5,6 iso100. For strobist: left of the camera a softbox next to the flower on 1/8 power triggered by remote and opposite a white reflector. On the white background a flash firing with a green gel as a slave on 1/8 power.

Promised a photo of the bouquet. By Margriet bloembinders Zeist. Exif 50mm f5,6 1/100 iso100. For strobist: left of the camera a softbox on 1/8 power triggered by a simple remote and on the background a flash sb900 as a slave on su-4 on manual 1/4 power with a light blue plastic cup as a gel.

Three amaryllises in a waxed bulb. Exif 50mm f4 1/60 iso100. For strobist; at the right of the camera, a speedlight on a brolly stand to shoot through a brolly on TTL compensation +0.3 and left of the camera to shoot away some shadows a speedlight handheld pointing at the wall to create a vignette on TTL. Triggered by CLS.

My wife wanted to trim the tulips. I took a quick shot before she got to them. I like them this way. Exif 50mm f5,6 1/60 iao100. For strobist Flash sb910 on a brolly stand right of the camera triggered by CLS shooting through a brolly. In-camera flash setting on TTL.

Three light set-up. Right of the camera is my softbox on 1/8 at it lowest. I had to move that one further away to stay on f6,3 and have some difference in brightness to shape some fall off. (I dare not mention the inverse square law). To the left on a 45-degree angle a flash sb900 with a modifier pointing at the bulbs on a stand on a window sill. At 90-degree angle a flash sb910 on a tripod shooting through a brolly. Speedlights triggered by su-4 as slaves power on manual.

364/365. Frozen flowers. My wife has to beat me every time in the layout of the idea. Exif 105mm. f8 1/80 iso100. For strobist Softbox behind and above the ice and a flash sb900 on a tripod right of the camera on a 45-degree angle shooting through a brolly. Triggered by Hama remote on the softbox strobe and the flash on su-4 as a slave.

363/365. Frozen flower. A little freezing project. Exif 105mm. f8 1/80 iso100. For strobist Softbox behind and above the ice and a flash sb900 on a tripod right of the camera on a 45-degree angle shooting through a brolly. Triggered by Hama remote on the softbox strobe and the flash on su-4 as a slave.

329/365. A mauve coloured Chrysanthemum. Had no inspiration at all. So, simplicity must do the trick and I can show off my new wall color.